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Olafur Eliasson and Anish Kapoor have been commissioned by the Israel Museum to create two new monumental installations on the Museum’s campus, as it nears completion of a comprehensive renewal and expansion, together with a complete reinstallation of all of its collection galleries. These site-specific works will be installed as focal points within the Museum’s newly re-organized campus, opening to the public on July 26, 2010. These commissions include: Olafur Eliasson’s installation “Whenever the Rainbow Appears”, consisting of 300 individual paintings that represent in paint on canvas the progression of colors in the spectrum of light visible to the human eye. Measuring a total of 15 x 2.4 meters (or nearly 50 x 8 feet), the work reads from afar as an extended continuum of color. It will be installed at the end of the Museum’s newly designed “Route of Passage”, an enclosed walkway bridging the Museum entrance with a newly centralized Gallery Entrance Pavilion at the heart of the campus. Anish Kapoor’s site-specific sculpture of polished stainless steel that takes the shape of a 5-meter-tall (15-foot) hourglass. Anchoring the Museum’s outdoor Crown Plaza, at the highest point on its 20-acre campus, this monumental work responds to the duality of Jerusalem, inverting reflections on its curved and mirrored surface of Jerusalem’s sky and of the Museum’s built landscape.
via…

    Olafur Eliasson and Anish Kapoor have been commissioned by the Israel Museum to create two new monumental installations on the Museum’s campus, as it nears completion of a comprehensive renewal and expansion, together with a complete reinstallation of all of its collection galleries. These site-specific works will be installed as focal points within the Museum’s newly re-organized campus, opening to the public on July 26, 2010.

    These commissions include:

    Olafur Eliasson’s installation “Whenever the Rainbow Appears”, consisting of 300 individual paintings that represent in paint on canvas the progression of colors in the spectrum of light visible to the human eye. Measuring a total of 15 x 2.4 meters (or nearly 50 x 8 feet), the work reads from afar as an extended continuum of color. It will be installed at the end of the Museum’s newly designed “Route of Passage”, an enclosed walkway bridging the Museum entrance with a newly centralized Gallery Entrance Pavilion at the heart of the campus.

    Anish Kapoor’s site-specific sculpture of polished stainless steel that takes the shape of a 5-meter-tall (15-foot) hourglass. Anchoring the Museum’s outdoor Crown Plaza, at the highest point on its 20-acre campus, this monumental work responds to the duality of Jerusalem, inverting reflections on its curved and mirrored surface of Jerusalem’s sky and of the Museum’s built landscape.

    via…



    March 09, 2010, 11:00am  

    Anish Kapoor, Svayambh, 2007

    Anish Kapoor, Svayambh, 2007



    November 11, 2009, 1:15pm  

    Anish Kapoor Shooting into the Corner 2008/09



    October 29, 2009, 5:15pm  

    Anish Kapoor  Untitled 2007

    Anish KapooUntitled 2007



    October 05, 2009, 3:09pm  

    Anish Kapoor

via piercejackson

    Anish Kapoor

    via piercejackson



    Reblogged from Mr. Pierce Jackson.

    September 22, 2009, 2:34pm  

    Anish Kapoor Shooting into the Corner, 2008/2009
I am loving this departure from the “jelly bean” look that I am so used to.

    Anish Kapoor Shooting into the Corner, 2008/2009

    I am loving this departure from the “jelly bean” look that I am so used to.



    March 17, 2009, 12:35pm  

    Anish Kapoor Memory 2008
This work was commissioned for the Deutsche Guggenheim in Berlin.  I am absolutely enamored with it.  It looks like what you would get if you turned one of his more reflective “beans” inside out. 
The website says “Memorythus remains situational. It is relativistic, phenomenological, and ultimately unclaimed. As we attempt to catch glimpses of the sculpture’s exterior shell and interior belly, the present quickly becomes the past.”  Which I think translates into “I can’t wrap my head around it and I am a little high so I will project my aging and receding hairline on to this piece while I munch on something covered in mayonnaise.”  Just saying.*
*Don’t even get me started on the magazine I received in the mail today from Deutsche Guggenheim, they were asking a prominent art collecting couple what they would rather have a sorcerer grant them.  Not kidding. I was embarrassed for them. 

    Anish Kapoor Memory 2008

    This work was commissioned for the Deutsche Guggenheim in Berlin.  I am absolutely enamored with it.  It looks like what you would get if you turned one of his more reflective “beans” inside out. 

    The website says “Memorythus remains situational. It is relativistic, phenomenological, and ultimately unclaimed. As we attempt to catch glimpses of the sculpture’s exterior shell and interior belly, the present quickly becomes the past.”  Which I think translates into “I can’t wrap my head around it and I am a little high so I will project my aging and receding hairline on to this piece while I munch on something covered in mayonnaise.”  Just saying.*

    *Don’t even get me started on the magazine I received in the mail today from Deutsche Guggenheim, they were asking a prominent art collecting couple what they would rather have a sorcerer grant them.  Not kidding. I was embarrassed for them. 



    January 02, 2009, 4:34pm