“(T)he art handlers marked various options on the wall, and I taped out approximately where the other paintings would hang. But as they lifted Watson up—it takes five people—and it rose past the lower line, I stopped them. It was clearly going to look too high. And then I realized that at the NGA it hangs on the wall all by itself, and it doesn’t matter how high it is there. Context is everything.”
— Bruce Robertson, Consulting Curator, American Art at LACMA talking about hanging one of my all-times.


