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Olafur Eliasson and Anish Kapoor have been commissioned by the Israel Museum to create two new monumental installations on the Museum’s campus, as it nears completion of a comprehensive renewal and expansion, together with a complete reinstallation of all of its collection galleries. These site-specific works will be installed as focal points within the Museum’s newly re-organized campus, opening to the public on July 26, 2010. These commissions include: Olafur Eliasson’s installation “Whenever the Rainbow Appears”, consisting of 300 individual paintings that represent in paint on canvas the progression of colors in the spectrum of light visible to the human eye. Measuring a total of 15 x 2.4 meters (or nearly 50 x 8 feet), the work reads from afar as an extended continuum of color. It will be installed at the end of the Museum’s newly designed “Route of Passage”, an enclosed walkway bridging the Museum entrance with a newly centralized Gallery Entrance Pavilion at the heart of the campus. Anish Kapoor’s site-specific sculpture of polished stainless steel that takes the shape of a 5-meter-tall (15-foot) hourglass. Anchoring the Museum’s outdoor Crown Plaza, at the highest point on its 20-acre campus, this monumental work responds to the duality of Jerusalem, inverting reflections on its curved and mirrored surface of Jerusalem’s sky and of the Museum’s built landscape.
via…

    Olafur Eliasson and Anish Kapoor have been commissioned by the Israel Museum to create two new monumental installations on the Museum’s campus, as it nears completion of a comprehensive renewal and expansion, together with a complete reinstallation of all of its collection galleries. These site-specific works will be installed as focal points within the Museum’s newly re-organized campus, opening to the public on July 26, 2010.

    These commissions include:

    Olafur Eliasson’s installation “Whenever the Rainbow Appears”, consisting of 300 individual paintings that represent in paint on canvas the progression of colors in the spectrum of light visible to the human eye. Measuring a total of 15 x 2.4 meters (or nearly 50 x 8 feet), the work reads from afar as an extended continuum of color. It will be installed at the end of the Museum’s newly designed “Route of Passage”, an enclosed walkway bridging the Museum entrance with a newly centralized Gallery Entrance Pavilion at the heart of the campus.

    Anish Kapoor’s site-specific sculpture of polished stainless steel that takes the shape of a 5-meter-tall (15-foot) hourglass. Anchoring the Museum’s outdoor Crown Plaza, at the highest point on its 20-acre campus, this monumental work responds to the duality of Jerusalem, inverting reflections on its curved and mirrored surface of Jerusalem’s sky and of the Museum’s built landscape.

    via…



    March 09, 2010, 11:00am  

    Olafur Eliasson, One-way colour tunnel, 2007

I love that you can see the cameras in the mirrors.

via i-peach-feng-shui

    Olafur Eliasson, One-way colour tunnel, 2007

    I love that you can see the cameras in the mirrors.

    via i-peach-feng-shui



    Reblogged from The Tao of Dana.

    February 11, 2010, 1:38pm  

    Olafur Eliasson The Weather Project  2003



    February 04, 2010, 4:10pm  

    
On the occasion of the United Nations Climate Change Conference in Copenhagen (COP15), the Louisiana Museum of Modern Art in collaboration with BMW Group, invites the public to an open symposium comprising international names in the fields of architecture, design, contemporary art and technology. The one-day symposium will, among others, discuss the new challenges pertaining to the environment as well as issues of sustainability in the creative sector. A number of the world’s leading innovative personalities will present their ideas and visions for the future in lectures and discussions. The participants of the symposium “Where do we go from here?” are the artists Olafur Eliasson, Sissel Tolaas, Shilpa Gupta and Ann Lislegaard; the engineer Matthias Schuler, Transsolar; the environmental entrepreneur Kresse Wesling, Elvis & Kresse; the designer and architect Patricia Urquiola; Ulrich Kranz, Head of “project i”, BMW Group. Moderators for the day are: Peter Weibel, artist, curator and theoretician; Hans Ulrich Obrist, Co-Director of Exhibitions and Programmes and Director of International Projects, Serpentine Gallery, London, whom the English art magazine ArtReview has recently named the world’s most powerful person in contemporary art in 2009. The symposium has been initiated as a collaboration of Louisiana Museum of Modern Art and BMW Group.

It’s times that I see this that I remember that Richard Branson STILL hasn’t contacted me and I have an absolute zero chance of getting to Coppenhagen to see this. My mind can’t even wrap around the idea of all these people in the same room.
Also, the champagne is flat and the caviar is all gone.

    On the occasion of the United Nations Climate Change Conference in Copenhagen (COP15), the Louisiana Museum of Modern Art in collaboration with BMW Group, invites the public to an open symposium comprising international names in the fields of architecture, design, contemporary art and technology. The one-day symposium will, among others, discuss the new challenges pertaining to the environment as well as issues of sustainability in the creative sector. A number of the world’s leading innovative personalities will present their ideas and visions for the future in lectures and discussions.

    The participants of the symposium “Where do we go from here?” are the artists Olafur Eliasson, Sissel Tolaas, Shilpa Gupta and Ann Lislegaard; the engineer Matthias Schuler, Transsolar; the environmental entrepreneur Kresse Wesling, Elvis & Kresse; the designer and architect Patricia Urquiola; Ulrich Kranz, Head of “project i”, BMW Group.

    Moderators for the day are: Peter Weibel, artist, curator and theoretician; Hans Ulrich Obrist, Co-Director of Exhibitions and Programmes and Director of International Projects, Serpentine Gallery, London, whom the English art magazine ArtReview has recently named the world’s most powerful person in contemporary art in 2009. The symposium has been initiated as a collaboration of Louisiana Museum of Modern Art and BMW Group.

    It’s times that I see this that I remember that Richard Branson STILL hasn’t contacted me and I have an absolute zero chance of getting to Coppenhagen to see this. My mind can’t even wrap around the idea of all these people in the same room.

    Also, the champagne is flat and the caviar is all gone.



    December 10, 2009, 9:09am  

    Olafur Eliasson 360° room for all colours, 2002

I can’t stop with the grandeur and romance.  This, the Vick piece, and on and on.  I need more macarbe, more destruction…I’m going to start looking for Bruce LaBruce or Chris Burden.  I need to snap out of it.

    Olafur Eliasson 360° room for all colours, 2002

    I can’t stop with the grandeur and romance.  This, the Vick piece, and on and on.  I need more macarbe, more destruction…I’m going to start looking for Bruce LaBruce or Chris Burden.  I need to snap out of it.



    November 23, 2009, 4:07pm  

    Olafur Eliasson’s fan



    November 06, 2009, 9:09am  

    » Artist wants pedestrians to come as close the the water as possible

    copenhagen. Olafur Eliasson, who co-designed the 2007 Serpentine Pavilion in London, will once more try his hand as an architect. The mayor of Copenhagen, Ritt Bjerregaard, has asked the Danish-Icelandic artist to design a bridge for the Danish capital, to be built in the heart of the city leading over the Christianshavn Kanal. It will connect an area dominated by office buildings designed by Henning Larsen with the headquarters of sugar producer Danisco. Describing his plans for the bridge, Eliasson said that he wants pedestrians crossing the river to come as close to the water as possible, and that he would like to make the structure partly transparent.

    I can make you a 100% guarantee, you will never get me on that bridge. Ever. If it’s too close to the water that is eerie thensome sort of water creature will probably try and jump out and eat me, and if it’s transparent my crippling fear of heights will grab hold of me which will lead directly to a panic attack.



    October 24, 2009, 9:01am  

    
On Saturday, September 19th, from 18:00, at Biblioteca Universitaria di Bologna, it will be possible to visit Mediare l’esperienza: i libri di Olafur Eliasson, an exhibition produced by Artelibro Art Book Festival and curated by Luca Cerizza, featuring artist’s books and publications on the Danish-Icelandic artist, as well as one of his artworks. 
 An entire artistic itinerary, filtered and mediated through more than fifty books, will be presented in the beautiful historic setting of the Aula Magna of Biblioteca Universitaria di Bologna. The accompanying work “The endless study”, a version of a 19th-century harmonograph, is part of an investigation into the correlation between space and sound undertaken by Olafur Eliasson. via…

I would like to have all 50 of those books.  I only have one, but this isn’t a contest, there is no winner.
Although, if I had 49 more books on Eliasson, I might feel more like a winner.

    On Saturday, September 19th, from 18:00, at Biblioteca Universitaria di Bologna, it will be possible to visit Mediare l’esperienza: i libri di Olafur Eliasson, an exhibition produced by Artelibro Art Book Festival and curated by Luca Cerizza, featuring artist’s books and publications on the Danish-Icelandic artist, as well as one of his artworks. 


    An entire artistic itinerary, filtered and mediated through more than fifty books, will be presented in the beautiful historic setting of the Aula Magna of Biblioteca Universitaria di Bologna. The accompanying work “The endless study”, a version of a 19th-century harmonograph, is part of an investigation into the correlation between space and sound undertaken by Olafur Eliasson. via…

    I would like to have all 50 of those books.  I only have one, but this isn’t a contest, there is no winner.

    Although, if I had 49 more books on Eliasson, I might feel more like a winner.



    August 28, 2009, 9:24am  

    
Olafur Eliasson, Serpentine Gallery Pavilion 2007
photo by art-it

    Olafur Eliasson, Serpentine Gallery Pavilion 2007

    photo by art-it



    Reblogged from ART iT from Japan.

    July 26, 2009, 7:08pm