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Painter and sculptor Nasser Azam has today returned to the UK having endured temperatures of -30˚C (wind chill of -45˚C) and battled winds as high as 100kph, whilst completing a series of large-scale paintings in the Antarctic tundra. Over the course of a nine days on the continent (20–28 February), Azam produced a total of 13 paintings in response to a variety of frozen landscapes. The works were painted outdoors using specially designed brushes, canvas and non-freezing paints. Working in situ, Azam executed a series of monumental canvases on an ice desert, an ice lake, an ice cave and a glacier. The paintings were left out overnight at each location for the elements to contribute to the compositions. The harsh conditions of the ice desert proved hazardous and four canvases were lost in high winds during the night. A special search mission two days later retrieved one of the lost canvases. The abstract motifs of the Antarctica series are informed by Azam’s physical and psychological response to this harsh and desolate environment. The works also draw on themes developed in his previous work, which comprise an extended meditation on the expressive and abstract possibilities of the human form.
via…

    Painter and sculptor Nasser Azam has today returned to the UK having endured temperatures of -30˚C (wind chill of -45˚C) and battled winds as high as 100kph, whilst completing a series of large-scale paintings in the Antarctic tundra.

    Over the course of a nine days on the continent (20–28 February), Azam produced a total of 13 paintings in response to a variety of frozen landscapes. The works were painted outdoors using specially designed brushes, canvas and non-freezing paints.

    Working in situ, Azam executed a series of monumental canvases on an ice desert, an ice lake, an ice cave and a glacier. The paintings were left out overnight at each location for the elements to contribute to the compositions. The harsh conditions of the ice desert proved hazardous and four canvases were lost in high winds during the night. A special search mission two days later retrieved one of the lost canvases.

    The abstract motifs of the Antarctica series are informed by Azam’s physical and psychological response to this harsh and desolate environment. The works also draw on themes developed in his previous work, which comprise an extended meditation on the expressive and abstract possibilities of the human form.

    via…



    March 10, 2010, 9:04am  

    Mira Schor Lack 1997

    Mira Schor Lack 1997



    March 04, 2010, 11:48am  

    John Singleton Copley, Watson and the Shark, 1778

One of my all time favorite paintings is up at LACMA right now. Iam so excited to finally see this in person, I can’t even tell you!

    John Singleton Copley, Watson and the Shark, 1778

    One of my all time favorite paintings is up at LACMA right now. Iam so excited to finally see this in person, I can’t even tell you!



    February 26, 2010, 12:32pm  

    Alex Katz Anna Wintour 2009

    Alex Katz Anna Wintour 2009



    February 26, 2010, 10:28am  

    Dave Muller Untitled (I Want It Louder Louder) 2006

I wouldn’t even know where to start describing Dave Muller’s work, because if I were to limit it to him record/cd portraits that would be unfair.  Let’s just say it’s all kick ass, and you should get into it.

“Printed matter is so ubiquitous in contemporary culture, but the virtual web-based world is usurping the printed text. Text is moving to the screen.
I went to grad school at SVA in New York for a year and had a part time job at a place that mounted and restored collectable posters. Being around all those interesting combinations of text and image opened up my eyes/mind.” - Dave Muller

    Dave Muller Untitled (I Want It Louder Louder) 2006

    I wouldn’t even know where to start describing Dave Muller’s work, because if I were to limit it to him record/cd portraits that would be unfair.  Let’s just say it’s all kick ass, and you should get into it.

    “Printed matter is so ubiquitous in contemporary culture, but the virtual web-based world is usurping the printed text. Text is moving to the screen.

    I went to grad school at SVA in New York for a year and had a part time job at a place that mounted and restored collectable posters. Being around all those interesting combinations of text and image opened up my eyes/mind.” - Dave Muller



    February 25, 2010, 9:39am  

    Gary Simmons Starlite Theatre 2010

Simmons uses cold wax and pigment on canvas to create these haunting images of Americana past. He is showing at Metro Pictures in New York right now, if you can, check it out.

    Gary Simmons Starlite Theatre 2010

    Simmons uses cold wax and pigment on canvas to create these haunting images of Americana past. He is showing at Metro Pictures in New York right now, if you can, check it out.



    February 18, 2010, 10:16am  

    “Lower East Side proves once again why a great painting is just a dream deferred from artist’s mind to studio to you. It is one of the all time greats and neither Jeff Koons nor Damien Hirst will ever equal it.”

    — Charlie Finch really loves this painting.



    January 28, 2010, 3:30pm  

    Billy Apple I.O.U. (untransacted) 1987/2009

via peterstichbury

    Billy Apple I.O.U. (untransacted) 1987/2009

    via peterstichbury



    Reblogged from Dugway Proving Ground.

    January 20, 2010, 5:11pm  

    Kasimir Malevich Black Square, 1915
 

via nudawn

    Kasimir Malevich Black Square, 1915

    via nudawn



    Reblogged from .

    January 10, 2010, 9:42pm