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On September 11, 2010, LAXART will open its fall exhibition season with Casting Call, a one-day performance event organized by artist Charlie White. The event will entail a daylong casting call aimed at locating one “California Girl” between the ages of 13 and 16 to appear on a Los Angeles billboard as part of the LAXART Billboard Project series. This live performance will invite viewers to witness the entire casting process within LAXART, where a windowed wall will divide the main exhibition space into two areas: a casting office on one side, and a public viewing room for onlookers on the other.
via…

It goes on to say that this is about looking into the “complexities of the American teen as cultural icon, image, and national idea” and “exposing the casting process as a nexus of public spectacle and individual ambition”.  All in all, this exhibition makes me extremely uncomfortable, and not in a “I’m being challenged” sort of way.  If what I gather is correct, I will be standing on one side of a one sided mirror watching 13-16 yr old girls* are auditioning to be on LAXART billboards throughout the city.  I’m not an actress, have no desire to be an actress, but from what I understand from a few of my friend’s who are actors and actresses, the auditioning process is an extremely trying and difficult experience.  I don’t agree with the statement that the casting process is a nexus of public spectacle, outside the recent slew of casting of superheroe movies and that dragon tattoo flick, it doesn’t seem to be a nexus of anything, except maybe of the hopes of working actors/actresses trying to realize their dreams maybe.  Am I being a little protective over girls who are just barely in/out of puberty about to put themselves on the line for a group of some of the snobbier people in Los Angeles? Why couldn’t the girls have been 16-18…or even 18-21 as very few actual teenagers play teenagers anyway. I am sure that the parents are fully aware of the situation and signing off on it, and I hope the children are as well. It all feels exploitative, and too easy to get that “shock” or easy publicity.**
I guess what I’m saying is, I understand what Charlie White is trying to accomplish here, but I think that it could have been executed with more nuance and grace than what he has decided to be “performed”.
*This is not an open call, the girls are already selected from  Burbank Casting Company.

**Which yes, I am also feeding into.

    On September 11, 2010, LAXART will open its fall exhibition season with Casting Call, a one-day performance event organized by artist Charlie White. The event will entail a daylong casting call aimed at locating one “California Girl” between the ages of 13 and 16 to appear on a Los Angeles billboard as part of the LAXART Billboard Project series. This live performance will invite viewers to witness the entire casting process within LAXART, where a windowed wall will divide the main exhibition space into two areas: a casting office on one side, and a public viewing room for onlookers on the other.

    via…

    It goes on to say that this is about looking into the “complexities of the American teen as cultural icon, image, and national idea” and “exposing the casting process as a nexus of public spectacle and individual ambition”.  All in all, this exhibition makes me extremely uncomfortable, and not in a “I’m being challenged” sort of way.  If what I gather is correct, I will be standing on one side of a one sided mirror watching 13-16 yr old girls* are auditioning to be on LAXART billboards throughout the city.  I’m not an actress, have no desire to be an actress, but from what I understand from a few of my friend’s who are actors and actresses, the auditioning process is an extremely trying and difficult experience.  I don’t agree with the statement that the casting process is a nexus of public spectacle, outside the recent slew of casting of superheroe movies and that dragon tattoo flick, it doesn’t seem to be a nexus of anything, except maybe of the hopes of working actors/actresses trying to realize their dreams maybe.  Am I being a little protective over girls who are just barely in/out of puberty about to put themselves on the line for a group of some of the snobbier people in Los Angeles? Why couldn’t the girls have been 16-18…or even 18-21 as very few actual teenagers play teenagers anyway. I am sure that the parents are fully aware of the situation and signing off on it, and I hope the children are as well. It all feels exploitative, and too easy to get that “shock” or easy publicity.**

    I guess what I’m saying is, I understand what Charlie White is trying to accomplish here, but I think that it could have been executed with more nuance and grace than what he has decided to be “performed”.

    *This is not an open call, the girls are already selected from Burbank Casting Company.

    **Which yes, I am also feeding into.



    August 23, 2010, 1:58pm  

    On the first night, when I realized they weren’t going to stop the piece, I was pleased and impressed that they had placed the integrity of the piece ahead of the institutional requirements of the museum.

    “On the second night, I thought, my God, don’t they care anything at all about me? Are they going to leave me here to die?

    Chris Burden talking about a performance piece he did for the Museum of Contemporary Art in Chicago.

    Roger Ebert has a marvelous article on the experience that you can read here. (hat tip to atencio)



    December 01, 2009, 3:40pm  

    For this year’s Performa Tracey Emin will be reading from not only her book Strangeland, but also from her upcoming book of poetry Those Who Suffer Love. It is this Saturday, November 7th at Performance Project at University Settlement (184 Eldridge Street) and starts at 3:00pm.  There is also a Q&A afterwards moderated by the one and only RoseLee Goldberg.
What else are you doing on Saturday? I know you don’t have actual better plans than that.
RSVP at rsvp@performa-arts.org
 184 Eldridge Street 3:00 PM

    For this year’s Performa Tracey Emin will be reading from not only her book Strangeland, but also from her upcoming book of poetry Those Who Suffer Love. It is this Saturday, November 7th at Performance Project at University Settlement (184 Eldridge Street) and starts at 3:00pm.  There is also a Q&A afterwards moderated by the one and only RoseLee Goldberg.


    What else are you doing on Saturday? I know you don’t have actual better plans than that.

    RSVP at rsvp@performa-arts.org


    184 Eldridge Street
    3:00 PM



    November 06, 2009, 11:11am  

    Performa starts up this weekend.  I don’t want to talk about it. I was planning last year to go and obviously dropped the ball.  I will not make this mistake in 2010. I won’t.
What is Performa you ask? Here’s a schedule, a written down glimpse of the unbelievable amounts of performance art that is going to be going on in NY this weekend.

Impressed? Thought so. Here is where you can buy tickets.

    Performa starts up this weekend.  I don’t want to talk about it. I was planning last year to go and obviously dropped the ball.  I will not make this mistake in 2010. I won’t.

    What is Performa you ask? Here’s a schedule, a written down glimpse of the unbelievable amounts of performance art that is going to be going on in NY this weekend.

    Impressed? Thought so. Here is where you can buy tickets.



    October 29, 2009, 4:14pm  

    Mark Leckey in The Long Tail

The Museum of Modern Art presents the North American premiere of Mark Leckey in the Long Tail (2009), a performance-based work presented in a theater for performing arts at the Abrons Arts Center on October 1, 2, and 3, 2009, at 8:00 p.m. Throughout the performance—which is part lecture, part monologue, and part living sculpture—Leckey engages the topics of television and broadcasting history, from the BBC to the icon of Felix the Cat, while simultaneously addressing the “Long Tail” theory of internet-based economics.

Someone please go to this for me and then tell me how awful it was and how it’s such a good decision that I live in Los Angeles.  Thanks.

    Mark Leckey in The Long Tail

    The Museum of Modern Art presents the North American premiere of Mark Leckey in the Long Tail (2009), a performance-based work presented in a theater for performing arts at the Abrons Arts Center on October 1, 2, and 3, 2009, at 8:00 p.m. Throughout the performance—which is part lecture, part monologue, and part living sculpture—Leckey engages the topics of television and broadcasting history, from the BBC to the icon of Felix the Cat, while simultaneously addressing the “Long Tail” theory of internet-based economics.

    Someone please go to this for me and then tell me how awful it was and how it’s such a good decision that I live in Los Angeles.  Thanks.



    September 22, 2009, 12:29pm  

    Photo of Terence Koh by Marco Anelli

The artist Terence Koh has been appearing every night at the Whitworth Gallery in Manchester, England, as part of Marina Abramovic’s performance showcase during this month’s Manchester Festival (through July 19). For his four-hour piece, Koh lies on the floor in a shirt made from crushed pearls, his face and feet covered in powder. Curled up in the fetal position, he plays Nat King Cole’s “Mona Lisa” over and over on his iPod. But tonight Koh is honoring the artist Dash Snow, who died today in an apparent drug overdose. Koh will change his tune to “Cheree” by the synth-punk band Suicide. As Koh explained in an e-mail message, “It is for one of my best friend’s Dash and that is our favorite song together and we used to dance to it together.” Strangely, the song was used in the closing scene of “Downtown 81,” which was about Jean-Michel Basquiat, another artist who died way too soon. via…

    Photo of Terence Koh by Marco Anelli

    The artist Terence Koh has been appearing every night at the Whitworth Gallery in Manchester, England, as part of Marina Abramovic’s performance showcase during this month’s Manchester Festival (through July 19). For his four-hour piece, Koh lies on the floor in a shirt made from crushed pearls, his face and feet covered in powder. Curled up in the fetal position, he plays Nat King Cole’s “Mona Lisa” over and over on his iPod. But tonight Koh is honoring the artist Dash Snow, who died today in an apparent drug overdose. Koh will change his tune to “Cheree” by the synth-punk band Suicide. As Koh explained in an e-mail message, “It is for one of my best friend’s Dash and that is our favorite song together and we used to dance to it together.” Strangely, the song was used in the closing scene of “Downtown 81,” which was about Jean-Michel Basquiat, another artist who died way too soon. via…



    July 15, 2009, 8:57am  

    “I don’t know how it feels to be up there, and I don’t want to try. Performance is not about trying. Performance is, they put you there and you deal with the situation.”

    — Marina Abramovic



    June 04, 2009, 1:15pm  

    Erwin Wurm One Minute Sculptures (detail), 1997
This is part of the exhibition The Art of Participation: 1950 to Now that is up at the SFMOMA that will be up through February 8.  If you are in or around the Bay area I suggest you go check it out because…

I love the SFMOMA, they have the most amazing shows all the time, without fail.
I like the idea of exploring the participation in art, so why not do a show about it? Well, that’s exactly what Curator of Media Arts Rudolf Frieling did.  Awesome.
Performance art= awesometown.

    Erwin Wurm One Minute Sculptures (detail), 1997

    This is part of the exhibition The Art of Participation: 1950 to Now that is up at the SFMOMA that will be up through February 8.  If you are in or around the Bay area I suggest you go check it out because…

    1. I love the SFMOMA, they have the most amazing shows all the time, without fail.
    2. I like the idea of exploring the participation in art, so why not do a show about it? Well, that’s exactly what Curator of Media Arts Rudolf Frieling did.  Awesome.
    3. Performance art= awesometown.


    December 15, 2008, 12:20pm  

    Minerva Cuevas The Story of the Celtic Tiger 2006
This is a photograph of a performance piece done at OPEN / INVITED e v + a(in a town called Limerick! I love that name), and I have an open ended question so if you know the answer, hit me up:
I am not too familiar with performance art, but can you buy images of the performance? Is that a common practice that performance artists do or is it more like, the art was in the moment and can never be again? 
The reason I ask is because I would love a photograph of this Celtic Tiger drinking a Guiness.  I love him so much. 

    Minerva Cuevas The Story of the Celtic Tiger 2006

    This is a photograph of a performance piece done at OPEN / INVITED e v + a(in a town called Limerick! I love that name), and I have an open ended question so if you know the answer, hit me up:

    I am not too familiar with performance art, but can you buy images of the performance? Is that a common practice that performance artists do or is it more like, the art was in the moment and can never be again? 

    The reason I ask is because I would love a photograph of this Celtic Tiger drinking a Guiness.  I love him so much. 



    November 24, 2008, 3:16pm  

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