hyde or die

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On the occasion of the United Nations Climate Change Conference in Copenhagen (COP15), the Louisiana Museum of Modern Art in collaboration with BMW Group, invites the public to an open symposium comprising international names in the fields of architecture, design, contemporary art and technology. The one-day symposium will, among others, discuss the new challenges pertaining to the environment as well as issues of sustainability in the creative sector. A number of the world’s leading innovative personalities will present their ideas and visions for the future in lectures and discussions. The participants of the symposium “Where do we go from here?” are the artists Olafur Eliasson, Sissel Tolaas, Shilpa Gupta and Ann Lislegaard; the engineer Matthias Schuler, Transsolar; the environmental entrepreneur Kresse Wesling, Elvis & Kresse; the designer and architect Patricia Urquiola; Ulrich Kranz, Head of “project i”, BMW Group. Moderators for the day are: Peter Weibel, artist, curator and theoretician; Hans Ulrich Obrist, Co-Director of Exhibitions and Programmes and Director of International Projects, Serpentine Gallery, London, whom the English art magazine ArtReview has recently named the world’s most powerful person in contemporary art in 2009. The symposium has been initiated as a collaboration of Louisiana Museum of Modern Art and BMW Group.

It’s times that I see this that I remember that Richard Branson STILL hasn’t contacted me and I have an absolute zero chance of getting to Coppenhagen to see this. My mind can’t even wrap around the idea of all these people in the same room.
Also, the champagne is flat and the caviar is all gone.

    On the occasion of the United Nations Climate Change Conference in Copenhagen (COP15), the Louisiana Museum of Modern Art in collaboration with BMW Group, invites the public to an open symposium comprising international names in the fields of architecture, design, contemporary art and technology. The one-day symposium will, among others, discuss the new challenges pertaining to the environment as well as issues of sustainability in the creative sector. A number of the world’s leading innovative personalities will present their ideas and visions for the future in lectures and discussions.

    The participants of the symposium “Where do we go from here?” are the artists Olafur Eliasson, Sissel Tolaas, Shilpa Gupta and Ann Lislegaard; the engineer Matthias Schuler, Transsolar; the environmental entrepreneur Kresse Wesling, Elvis & Kresse; the designer and architect Patricia Urquiola; Ulrich Kranz, Head of “project i”, BMW Group.

    Moderators for the day are: Peter Weibel, artist, curator and theoretician; Hans Ulrich Obrist, Co-Director of Exhibitions and Programmes and Director of International Projects, Serpentine Gallery, London, whom the English art magazine ArtReview has recently named the world’s most powerful person in contemporary art in 2009. The symposium has been initiated as a collaboration of Louisiana Museum of Modern Art and BMW Group.

    It’s times that I see this that I remember that Richard Branson STILL hasn’t contacted me and I have an absolute zero chance of getting to Coppenhagen to see this. My mind can’t even wrap around the idea of all these people in the same room.

    Also, the champagne is flat and the caviar is all gone.



    December 10, 2009, 9:09am  

    
But after last year’s ponderously wooden effort from Frank Gehry, the Serpentine  has struck lucky this summer with an elegant pavilion by SANAA. Sporting a multi-lobed roof of polished aluminium on  hyper-slender columns, it looks terrific—at least until you notice the  surrounding landscape, where a fringe of white stone chippings abruptly gives  way to ineptly-laid squares of turf that already are brown and eroded. via…

Well isn’t that a bummer? It gets pretty hot in the summer in Hyde Park though, so I can’t really blaim anyone for having dying grass.
Now that I am thinking of London, how nice would a strongbow be right now?

    But after last year’s ponderously wooden effort from Frank Gehry, the Serpentine has struck lucky this summer with an elegant pavilion by SANAA. Sporting a multi-lobed roof of polished aluminium on hyper-slender columns, it looks terrific—at least until you notice the surrounding landscape, where a fringe of white stone chippings abruptly gives way to ineptly-laid squares of turf that already are brown and eroded. via…

    Well isn’t that a bummer? It gets pretty hot in the summer in Hyde Park though, so I can’t really blaim anyone for having dying grass.

    Now that I am thinking of London, how nice would a strongbow be right now?



    July 28, 2009, 10:22am  

    
Olafur Eliasson, Serpentine Gallery Pavilion 2007
photo by art-it

    Olafur Eliasson, Serpentine Gallery Pavilion 2007

    photo by art-it



    Reblogged from ART iT from Japan.

    July 26, 2009, 7:08pm  

    The Serpentine Pavilion by Frank Gehry, a time lapse video!

    I actually think this looks like he dropped his model on the ground, haphazardly glued it back together while drunk and then said “Build this!”*  but, in the great tradition of internet enthusiasts before me, I can appreciate a good time lapse video.

    *Compared to Olafur Eliasson’s Pavillion? Seriously? How could you follow an act like that, even if you are Frank Gehry? 



    June 22, 2009, 10:03am  

    “As the world travels deeper in uncharted economic territory, the role of contemporary artists as social commentators is more relevant than ever.”

    Julia Peyton-Jones

    UPDATE: Well this quote really lit up my facebook page, like an open debate forum.



    June 04, 2009, 8:30am  

    Gerhard Richter 4900 Farben (4900 Colours) 2007

    Gerhard Richter 4900 Farben (4900 Colours) 2007



    January 16, 2009, 3:42pm  

    Art crush of the day: Richard Prince Student Nurse 2005
Sometimes I just want to remind some of the big shots that I still appreciate their work. This nurse series? Kills me on the inside. 
So Richard, if you are reading this, thanks. 

    Art crush of the day: Richard Prince Student Nurse 2005

    Sometimes I just want to remind some of the big shots that I still appreciate their work. This nurse series? Kills me on the inside. 

    So Richard, if you are reading this, thanks. 



    January 14, 2009, 5:20pm