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I consider myself an artful blogger. What more can I really say?

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    Photo of Terence Koh by Marco Anelli

The artist Terence Koh has been appearing every night at the Whitworth Gallery in Manchester, England, as part of Marina Abramovic’s performance showcase during this month’s Manchester Festival (through July 19). For his four-hour piece, Koh lies on the floor in a shirt made from crushed pearls, his face and feet covered in powder. Curled up in the fetal position, he plays Nat King Cole’s “Mona Lisa” over and over on his iPod. But tonight Koh is honoring the artist Dash Snow, who died today in an apparent drug overdose. Koh will change his tune to “Cheree” by the synth-punk band Suicide. As Koh explained in an e-mail message, “It is for one of my best friend’s Dash and that is our favorite song together and we used to dance to it together.” Strangely, the song was used in the closing scene of “Downtown 81,” which was about Jean-Michel Basquiat, another artist who died way too soon. via…

    Photo of Terence Koh by Marco Anelli

    The artist Terence Koh has been appearing every night at the Whitworth Gallery in Manchester, England, as part of Marina Abramovic’s performance showcase during this month’s Manchester Festival (through July 19). For his four-hour piece, Koh lies on the floor in a shirt made from crushed pearls, his face and feet covered in powder. Curled up in the fetal position, he plays Nat King Cole’s “Mona Lisa” over and over on his iPod. But tonight Koh is honoring the artist Dash Snow, who died today in an apparent drug overdose. Koh will change his tune to “Cheree” by the synth-punk band Suicide. As Koh explained in an e-mail message, “It is for one of my best friend’s Dash and that is our favorite song together and we used to dance to it together.” Strangely, the song was used in the closing scene of “Downtown 81,” which was about Jean-Michel Basquiat, another artist who died way too soon. via…



    July 15, 2009, 8:57am  

    Marina Abramovic The Artist is Present at MoMA March-May 2010

In an act of enormous endurance, for nearly three months from March to May 2010, the 62-year-old artist will perform seven hours a day for five days a week and ten on Fridays (when the museum is open late), only resting on Tuesdays when MoMA is closed—586 hours in total. The Art Newspaper can reveal that the new work will involve wooden shelves, each about the size of a desktop, mounted in a zig-zag pattern from the floor to around 50 feet high on the north wall of MoMA’s towering atrium. Ladders connecting the shelves will have rungs made of upturned knife blades making ascent or descent impossible. via…

Marking my calendar now.  I have wanted to see one of her performance pieces for quite a while and I refuse to miss that.
Hear that? Refuse.

    Marina Abramovic The Artist is Present at MoMA March-May 2010

    In an act of enormous endurance, for nearly three months from March to May 2010, the 62-year-old artist will perform seven hours a day for five days a week and ten on Fridays (when the museum is open late), only resting on Tuesdays when MoMA is closed—586 hours in total.

    The Art Newspaper can reveal that the new work will involve wooden shelves, each about the size of a desktop, mounted in a zig-zag pattern from the floor to around 50 feet high on the north wall of MoMA’s towering atrium. Ladders connecting the shelves will have rungs made of upturned knife blades making ascent or descent impossible. via…

    Marking my calendar now.  I have wanted to see one of her performance pieces for quite a while and I refuse to miss that.

    Hear that? Refuse.



    June 04, 2009, 1:23pm  

    “I don’t know how it feels to be up there, and I don’t want to try. Performance is not about trying. Performance is, they put you there and you deal with the situation.”

    — Marina Abramovic



    June 04, 2009, 1:15pm  

    Marina Abramovic Mambo at Marienbad 2001

    Marina Abramovic Mambo at Marienbad 2001



    February 26, 2009, 2:39pm